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Influences
- Introduction
- Family
- Others
- Education
- Music
John in 1969
The Beach Boys
Cover of Fairport Convention's What
We Did On Our Holidays album features chalk drawing done by Fairport
while waiting to play at Essex University, whose towers appear in
the background with Martin Lindsay and Paul Flowers behind battlements.
Links
- John's Desert Island Discs |
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Influences: Music
Byrds: I can still remember when I first heard the opening jetstream bars of Mr. Tambourine Man
Music was there when we were children, but we weren't drenched in
it as we are today. Tim, my father, had a fairly eclectic taste in
music, including Django Reinhardt and Stephane
Grapelli, Wilbur de Paris, The Temperance Seven and various Polynesian albums he brought
back in the mid-50s from his stint in Christmas Island - monitoring
fallout from British H-bomb tests. Many of the tracks were written
or arranged by Eddie Lund, and a fair few sung by Marie
Mariteragi.
Looking back, those exotic albums whetted my appetite for what later
was dubbed 'world music' - fed, too, by the experiments of people
like George Harrison, Brian Jones, The Hollies (who played the first
pop concert I ever went to) and Ry Cooder.
As we travelled around in the 1950s, I recall various songs: for
example, Davy Crockett, heard on a radio in the next door farm's
cow barn in Northern Ireland:
Born on a mountain top in Tennessee,
Greenest state in the land of the free.
Raised in the woods so he knew every tree
Killed him a "bar" when he was only three.
Davey, Davey Crockett, king of the wild frontier.
Fought single handed through the Indian war,
Till' the Creeks were whipped and peace was in store,
While he was handling this risky chore,
made himself a legend forever more.
Davey, Davey Crockett, the man who don't know fear.
And so martially on. In the 1960s, I became much more interested
in the history and cultures of North American Indian tribes, which
is why both our daughters ended up with Indian names. No doubt some
of that interest in other cultures, other sides of stories, came
from living in places like Ireland and Cyprus, and visiting Israel.
For better or worse, my tastes in music were profoundly influenced
by rock'n'roll. That said, through Tim's mother Isabel and others,
I also early on developed a taste for the popular music of the 1920s,
1930s and 1940s. Luckily, the bulk of my musical tastes I share with
Elaine - including The Rolling Stones, who we first saw live in 2003.
Their story embraces almost exactly the same years as the paradigm
shift discussed under Timelines. And that's no accident, as the late
Ian McDonald notes in his brilliant book, The
People's Music (Pimlico,
ISBN: 1844130932) .
The first single (45) I owned, Tim bought me: 1962's smash hit,
Telstar by The Tornadoes. They were the first British band to top
the US charts, a full year before The Beatles and the rest of the
British Invasion. The track featured an odd instrument, the clavioline,
and the sound of a rocket taking off was apparently achieved by playing
the sound of a toilet flushing backwards. Interestingly, given what
Tim had been doing in the Pacific, the real Telstar satellite soon
went silent: it is reputed to have had its circuitry destroyed by
a nuclear test!
The first 45 I bought myself was 1964's Not
Fade Away by The Rolling
Stones, backed with Little By Little. And the first LP I bought was Surfin'
USA by The Beach Boys. I remember listening to Radio Luxembourg
on a tiny transistor radio under my dormitory pillow while at Bryanston.
Apart from The Beatles, tracks that stick in my mind from that period
are California Dreamin' by the Mamas & Papas and Keep
on Running by the Spencer
Davis Group.
Almost 40 years later, in December 2002, to celebrate SustainAbility's
fifteenth anniversary, we had an away day in Regent's Park College.
One thing everyone was asked to do was to bring along a CD with the
song that meant most to them.
Before dinner, as a special surprise for me, a two-man group I had
first heard in the subway at Hyde Park tube station played. With
harmonies like those of The Everly Brothers, these were The
Archers,
two French brothers. Elaine had tracked them down and booked them:
they sang mainly Beatles songs. Appropriate, since my chosen track
was The Beatles' Revolution.
While trying to work out my favourite track, I tried to whittle
my favourites down to just eight, as for the BBC's Desert Island
Discs. I failed. So, for what it's worth, my Top 16 at the time of
writing are listed here.
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