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John Elkington

John Elkington

A world authority on corporate responsibility and sustainable development.

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John Elkington

Breakthrough, Hexagram 43 And ‘The Man In The High Castle’

John Elkington · 31 December 2016 · 2 Comments

amazon-man-high-castle-nycc-trailer

New Year’s Day 2016 – and this morning I finished Philip K. Dick’s 1962 novel The Man in the High Castle, a TV version of which is currently being streamed on Amazon Prime, though I haven’t seen it.

Having read a number of other science fiction books in the past few weeks (among them Ted Chiang’s Arrival collection of short stories and T.C Boyle’s The Terranauts), I struggled to get into this one – but then something clicked.

Critically, on page 209, I came across Dick’s reference to the I Ching‘s Hexagram 43, representing “Break-Through”. Have always had an eye for symbolism, with my 2014 book The Zeronauts built around the Chinese ideogram ling, standing for zero:

chinese_symbols_for_zero_8317_2_0

And way back in the mid-1990s, when I was evolving and promoting the Triple Bottom Line, I used the I Ching trigram shown below,  Qián (The Creative/Heaven), often interpreted as representing Earth on the bottom line, Humanity in the middle and Heaven on top.

screen-shot-2016-12-31-at-17-23-34

With the Triple Bottom Line, now the core agenda of the burgeoning B Corporation movement, I ran a version of the trigram as Environment, Economy, Society – or, more colloquially, People, Planet and Profit/Prosperity.

For many years thereafter, SustainAbility used the logo I had co-evolved with our designer, Rupert Bassett, involving a trigram offset by a spiral, presenting sustainability as an ongoing tension between balance and evolution.

With Hexagram 43 playing such a pivotal role in The Man in the High Castle, and the interpretation (see below) aligning so powerfully with what we do at Volans, I thought I would look it up – and was stunned to find that the I Ching‘s representation of “Break-Through” (in their hyphenated rendering of the word) is distilled in the following hexagram:

screen-shot-2016-12-31-at-17-23-47Here the trigram Duì (The Joyous/Lake) is superimposed on Qián to create Hexagram 43, Guai (Displacement).

I have sometimes been asked how our post-2012 “Breakthrough” agenda links to the Triple Bottom Line. Well, here is an age-old visualisation. And here are some of the lines that caught my attention as I read page 209 of Philip Dick’s novel:

THE JUDGMENT

BREAK-THROUGH. One must resolutely make the matter known
At the court of the king.
It must be announced truthfully. Danger.
It is necessary to notify one’s own city.
It does not further to resort to arms.
It furthers one to undertake something.

We have long seen it as our mission to present the system change agenda in the top echelons of business, in what we call the “Global C-Suite”, the boardrooms and C-suites of the world’s 1,000 most influential (but not necessarily the biggest) businesses.

At times, we have been described as “speaking truth to power”. And we know it is a high risk process: Danger indeed.

I see “one’s own city” as referring to what we have come to call the “Sustainability Industry,” the solutions-oriented economic sector that has grown up in the 30 years since the publication of the Brundtland Commission’s 1987 report Our Common Future.

Our latest report, Breakthrough Business Models: Exponentially More Social, Lean, Integrated and Circular is in part directed to the Sustainability Industry, in effect our own city.

In terms of the “resort to arms,” according to the interpretation of Hexagram 43, we have long aimed to operate as critical friends of business, serving a “grit in the corporate oyster” – but in the process retaining the freedom to move between and connect with different worlds, realities and agendas.

Dick’s novel within a novel, story within a story, is The Grasshopper Lies Heavy. It depicts an alternate universe in which the Axis powers win the Second World War, rather than losing – with the result that much of the United States is occupied by Germany and Japan. The alternate reality, however, is not ours, with Churchill staying on after the war and Britain eventually taking over from the USA as superpower. Few things could seem further fetched as 2016 draws to a close.

Whichever realities spool out from this point, the ability to move between different interpretations will remain crucial. To do so effectively, we are advised by the I Ching, one must know oneself – and work hard to ensure that one’s own house (or enterprise) is in order.

That is a continuing task for 2017. And so it is to “undertake something.” Hexagram 42 is about resolution and decision. And that’s how this point in time now feels. Which is probably why page 209 resonated so strongly with this reader. And now I hear the shutters of the new year creaking open, with fireworks bursting in the distance.

Project Breakthrough Readies For Take-Off In 2017

John Elkington · 23 December 2016 · Leave a Comment

Josh Tetrick of Hampton Creek Foods
Josh Tetrick of Hampton Creek Foods
2016 was the year when I went fully X
2016 was the year when I went fully X

 

With trips to Silicon Valley and other parts of there emerging X-scape, 2016 was the year when our Project Breakthrough initiative with the UN Global Compact really got into its stride. A set of video interviews with some of the people we most admire in this space can be found on Medium.

Going 3D

John Elkington · 12 December 2016 · Leave a Comment

Autumnal table at Hill House
Autumnal table and chair at Hill House
View of Eiffel Tower from EcoVadis HQ
View of Eiffel Tower from EcoVadis HQ
My headphones put to good use
My headphones put to good use – the thumb is her father’s
Eduardo Paolozzi's Head of Invention outside the Design Museum
Eduardo Paolozzi’s Head of Invention outside the Design Museum
Brain-dead robot
Brain-dead robot
Eco-exhibit in Love & Fear exhibition
Eco-exhibit in Love & Fear exhibition
3-D printed death mask
3-D printed death mask
A spectrum of iPods
A spectrum of iPods

A delightful visit to see the Elkingtons of Little Rissington on 3-4 December, dropping in to seer the Palmers of Icomb at the same time. Then off to Paris for several days via the Eurostar for a meeting of the EcoVadis Scientific Committee: fascinating. But Paris wreathed in pollution, with alternate number plates banned for the day.

Otherwise the past couple of weeks have been a bit of a blizzard, with a torrent of meetings, flurries of Skype calls, various planning sessions for 2017, the landing by Volans of a very major and wonderful project for next year, the spinning out of a fair few blogs, and a progressive working through of a series of books.

They have included Robert Harris’s Conclave (with a wonderful sting in its tail) and now Ted Chiang’s Stories of Your Life & Others, which in clues the Story of Your Life story that seeded the new film Arrival, which we saw and I immensely liked last week.

Weirdly, I also enjoyed the new Design Museum a couple of days back, where we had a Volans away evening, though not for the sort of reasons the management presumably had in mind.
Ever since I have since been trying to work out how the Museum could be turned into a truly magnetic draw. The overall feel is passive. Even the gently quivering industrial robot in the Fear & Love Exhibition had suffered a “stroke” and had lost its ability to interact with passers-by. The best idea, at least as far as I was concerned, where the 3-D printed death masks (have been experimenting with a new 3-D OLED TV this week), but somehow they looked like a bunch of things found in Left Luggage.
It’s over 30 years since I visited Paul Watson’s anti-whaling ship Sea Shepherd II in Alexandria, Virginia, so I was pleased to see an exhibit honouring the Seas Shepherds. But again it all seemed a bit of a jumble.
Here’s what the exhibition has to say on the subject: “The graphic designers Metahaven, based in Amsterdam, present a film about the marine wildlife conservation group Sea Shepherd. The film Love Letter to Sea Shepherd, accompanied by a series of highly graphic flags, is a work of advocacy in support of organisation’s anti-whaling activities, but also a meditation on forms of intelligence that we barely understand.”
Having listened to Roger Payne’s hydrographic recordings of whale song for decades, and then the Arrival soundtrack of assorted heptapods last week, I confess the Love Letter would have left me little the wiser had I not known what I was seeing and meant to be experiencing.
After dinner, escaping from the building proved to be quite a challenge, with the main doors shut and nothing to show you had to go through a small door that looked like a staff entrance. Well designed the experience  sadly wasn’t.
Struck me in passing that it is exactly 30 years since we did The Green Designer Exhibition at the Design Centre, where in writing the catalogue I waxed lyrical about the “Green Consumer” – and then decided it might be an idea to do a Green Consumer Guide.
No such inspiration at the Design Museum, yet, but maybe I’ll give it another go in a couple of months. In retrospect, probably the best think of all was watching a pair of young girls in jeans racing along the upper floors and skidding along the polished wood on their knees. Not quite what the designers intended, perhaps, but in the spirit of the right sort of future.

It’s Time To Drain The Swwwamp

John Elkington · 30 November 2016 · Leave a Comment

Trumpaganda
Trumpaganda

The assault on truth, facts and data continues, with major implications for the sustainable development movement – which marks its 30th anniversary (at least as measured by the publication of 1987’s Brundtland Com mission Report, Our Common Future) in 2017.

Here are my early thoughts on the need to drain a very different swamp, the dark side of the Internet and World Wide Web, which has soured the political process with its supturations of fake news and general vindictiveness.

Hüman After All, Covestro And Recycla

John Elkington · 19 November 2016 · Leave a Comment

Under way
Under way
Rich (Johnson) directs
Rich (Johnson) directs
In full flow, as I look on
In full flow, as I look on
Cathy Runciman of Atlas of the Future, right, as process peaks
Cathy Runciman of Atlas of the Future, right, as process peaks

Have been feeling a bit low and unwell, but the Hüman After All session on Wdnesday in Dalston, for our joint program with the UN Global Compact, Project Breakthrough, was a real pick-me-up.

HHA have an intriguing new office, on top of an old printing works. Then back to ICAEW to listen to Mark Carney – see previous post.

Other aspects of the week have included a session on Thursday with Covestro and SystemIQ at the latter’s WeWork offices.

Then today, Saturday, Elaine and I took Fernando Nilo (of Chile’s Recycla) and his wife to lunch at the Great Court Restaurant high up in the British Museum. Then sped them around the Sunken Cities exhibition, my third time, before getting in a taxi with them to guide them across to Clarence House.

Fernando demonstrates his jacket, made out of 20 PET bottles
Fernando demonstrates his jacket, made out of 20 PET bottles
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Introduction

I began this blog with an entry reporting on a visit to the Woods Hole Oceanographic Institution on Cape Cod, on 30 September 2003. The blog element of the website has gone through several iterations since, with much of the older material still available.

Like so many things in my life, blog entries blur the boundaries between the personal and the professional. As explained on this site’s Home Page, the website and the blog are part platform for ongoing projects, part autobiography, and part accountability mechanism.

In addition, my blogs have appeared on many sites such as: Chinadialogue, CSRWire, Fast Company, GreenBiz, Guardian Sustainable Business, and the Harvard Business Review.

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John Elkington is a world authority on corporate responsibility and sustainable development. He is currently Founding Partner and Executive Chairman of Volans, a future-focused business working at the intersection of the sustainability, entrepreneurship and innovation movements.

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john@johnelkington.com  |  +44 203 701 7550 | Twitter: @volansjohn

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